Dr Lindsay Reid

BA, MA, PhD

Contact Details

LECTURER ABOVE THE BAR
English
College of Arts,Social Science
and Celtic Studies
NUI Galway
E: lindsay.reid@nuigalway.ie
 
researcher
 

Biography

Lindsay Ann Reid is a Lecturer in English and the Director of the MA in Literature and Publishing. She is a graduate of the University of King’s College (BA in Classics and Early Modern Studies, 2003) and the University of Toronto (MA in Comparative Literature, 2004; PhD in English and Book History, 2009). Before joining the National University of Ireland, Galway in 2013, she previously taught at several universities in Canada and worked as an Assistant Professor of English and Comparative Literature at Koç University in Istanbul, Turkey. Her primary research and teaching interests include literature c. 1350-1650, classical poetry, mythology, adaptation and reception studies, and early English print culture. She welcomes enquiries from prospective postgraduate students wishing to pursue research in affiliated areas. 

Dr Reid is the author of two monographs, Ovidian Bibliofictions and the Tudor Book (2014) and Shakespeare's Ovid and the Spectre of the Medieval (2018). She has published and forthcoming work in journals such as Renaissance Quarterly, Early TheatreThe Seventeenth Century, Studies in Philology, and Comparative Drama, and she has recently contributed chapters to book collections including Women Artists and Patrons in the Netherlands, 1500-1700 (2019), Shakespeare on Screen: ‘The Tempest’ and Late Romances (2017), Ground-Work: English Renaissance Literature and Soil Science (2017), and Singing Death: Reflections on Music and Mortality (2017).
  

Books

  Year Publication
(2018) Shakespeare's Ovid and the Spectre of the Medieval.
Lindsay Ann Reid (2018) Shakespeare's Ovid and the Spectre of the Medieval. Cambridge: D.S. Brewer. [DOI] [Details]
(2014) Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England.
Lindsay Ann Reid (2014) Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Aldershot: Ashgate. [Details]

Peer Reviewed Journals

  Year Publication
(2020) '[forthcoming] An Abortive Pharsalia Translation, Ovidian Recusatio, and Elegiac Identity in Turberville’s Tragicall Tales'
Lindsay Ann Reid (2020) '[forthcoming] An Abortive Pharsalia Translation, Ovidian Recusatio, and Elegiac Identity in Turberville’s Tragicall Tales'. Studies in Philology, [Details]
(2020) '[forthcoming] Speech, Silence, and Shakespearean Quotation in The Sounding (2017)'
Lindsay Ann Reid (2020) '[forthcoming] Speech, Silence, and Shakespearean Quotation in The Sounding (2017)'. Shakespeare, [Details]
(2020) '[forthcoming] ‘The (Lost) Tune of “Raging Love” and Its Reverberations in Isabella Whitney’s Copy of a Letter'
Lindsay Ann Reid (2020) '[forthcoming] ‘The (Lost) Tune of “Raging Love” and Its Reverberations in Isabella Whitney’s Copy of a Letter'. Cahiers Élisabéthains, [Details]
(2019) '[forthcoming] Impregnable Towers and Pregnable Maidens in Early Modern English Drama'
Lindsay Ann Reid (2019) '[forthcoming] Impregnable Towers and Pregnable Maidens in Early Modern English Drama'. Comparative Drama, [Details]
(2019) 'Translating Ovid’s Metamorphoses in Tudor Balladry'
Lindsay Ann Reid (2019) 'Translating Ovid’s Metamorphoses in Tudor Balladry'. Renaissance Quarterly, 72 (2):537-`581 [ARAN Link] [Details]
(2019) 'Diana, Dido, and The Fair Maid of Dunsmore: Classical Precursors, Common Tunes, and the Question of Consent in Seventeenth-Century Balladry'
Lindsay Ann Reid (2019) 'Diana, Dido, and The Fair Maid of Dunsmore: Classical Precursors, Common Tunes, and the Question of Consent in Seventeenth-Century Balladry'. The Seventeenth Century, 34 (1) [DOI] [ARAN Link] [Details]
(2018) 'Ovidian Retro-Metamorphosis on the Elizabethan Stage'
Lindsay Ann Reid (2018) 'Ovidian Retro-Metamorphosis on the Elizabethan Stage'. Early Theatre, 21 (2) [DOI] [ARAN Link] [Details]
(2018) 'Resurrecting Shakespeare’s Ghost Plays'
Lindsay Ann Reid (2018) 'Resurrecting Shakespeare’s Ghost Plays'. English, 67 (258) [DOI] [ARAN Link] [Details]
(2018) 'Arachne in Marlowe’s “Ad amicam corruptam” (Amores 2.5)'
Lindsay Ann Reid (2018) 'Arachne in Marlowe’s “Ad amicam corruptam” (Amores 2.5)'. Notes & Queries, 65 (4) [DOI] [ARAN Link] [Details]
(2016) 'Oenone and Colin Clout'
Lindsay Ann Reid (2016) 'Oenone and Colin Clout'. Translation and Literature, 25 (3) [DOI] [ARAN Link] [Details]
(2015) 'Teaching Caxton’s Prologue to Eneydos as an Introduction to Renaissance Literary Culture'
Lindsay Ann Reid (2015) 'Teaching Caxton’s Prologue to Eneydos as an Introduction to Renaissance Literary Culture'. This Rough Magic, 5 (1) [ARAN Link] [Details]
(2015) 'Two Echoes of Euphues in The Fair Maid of the Exchange'
Lindsay Ann Reid (2015) 'Two Echoes of Euphues in The Fair Maid of the Exchange'. Notes & Queries, 62 (2) [Details]
(2014) 'The Spectre of the School of Night: Former Scholarly Fictions and the Stuff of Academic Fiction'
Lindsay Ann Reid (2014) 'The Spectre of the School of Night: Former Scholarly Fictions and the Stuff of Academic Fiction'. Early Modern Literary Studies, (Special Issue 23) [ARAN Link] [Details]
(2014) 'Gower’s Slothful Aeneas in Batman’s Christall Glasse of Christian Reformation'
Lindsay Ann Reid (2014) 'Gower’s Slothful Aeneas in Batman’s Christall Glasse of Christian Reformation'. Notes & Queries, 61 (3) [ARAN Link] [Details]
(2014) 'Virgilian and Ovidian Tree Similes in Troilus and Criseyde 2.1373-84'
Lindsay Ann Reid (2014) 'Virgilian and Ovidian Tree Similes in Troilus and Criseyde 2.1373-84'. Explicator, 72 (2) [DOI] [Details]
(2012) 'Certaine Amorous Sonnets, Betweene Venus and Adonis”: Fictive Acts of Writing in The Passionate Pilgrime of 1612'
Lindsay Ann Reid (2012) 'Certaine Amorous Sonnets, Betweene Venus and Adonis”: Fictive Acts of Writing in The Passionate Pilgrime of 1612'. Etudes Epistémè, 21 [DOI] [ARAN Link] [Details]
(2012) 'Beaumont and Fletcher’s Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid’s Tragedy'
Lindsay Ann Reid (2012) 'Beaumont and Fletcher’s Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid’s Tragedy'. Early Modern Literary Studies, 16 (2) [ARAN Link] [Details]
(2007) 'Certamen, Interpretation, and Ovidian Narration in The Faerie Queene III.ix-xii'
Lindsay Ann Reid (2007) 'Certamen, Interpretation, and Ovidian Narration in The Faerie Queene III.ix-xii'. Spenser Studies, 22 [Details]

Book Chapters

  Year Publication
(2020) '[forthcoming] What’s in a Blush?: Constellating Aeneid 12.64-69 and Amores 2.5.33-40 in Spenser’s Legend of Chastity’'
Lindsay Ann Reid (2020) '[forthcoming] What’s in a Blush?: Constellating Aeneid 12.64-69 and Amores 2.5.33-40 in Spenser’s Legend of Chastity’' In: Literary Windows: Imitative Series and Clusters from Classical to Early Modern Literature. tbd: tbd. [Details]
(2019) '[forthcoming] The Brief Ovidian Career of Isabella Whitney: From Heroidean to Tristian Complaint'
Lindsay Ann Reid (2019) '[forthcoming] The Brief Ovidian Career of Isabella Whitney: From Heroidean to Tristian Complaint' In: Early Modern Women’s Complaint: Gender, Form and Politics. Houndmills: Palgrave Macmillan. [Details]
(2019) 'Louise Hollandine and the Art of Arachnean Critique'
Lindsay Ann Reid (2019) 'Louise Hollandine and the Art of Arachnean Critique' In: Women Artists and Patrons in the Netherlands, 1500-1700. Amsterdam: Amsterdam University Press. [Details]
(2017) 'Thanhouser's ''Fierce Abridgement'' of Cymbeline'
Lindsay Ann Reid (2017) 'Thanhouser's ''Fierce Abridgement'' of Cymbeline' In: Shakespeare on Screen: The Tempest and Late Romances. Cambridge: Cambridge University Press. [DOI] [ARAN Link] [Details]
(2017) 'Unsoiled Soil and “Fleshly Slime”: Representing Reproduction in Spenser’s Legend of Chastity'
Lindsay Ann Reid (2017) 'Unsoiled Soil and “Fleshly Slime”: Representing Reproduction in Spenser’s Legend of Chastity' In: Ground-Work: English Renaissance Literature and Soil Science. Pittsburgh: Duquesne University Press. [ARAN Link] [Details]
(2017) 'To the Tune of “Queen Dido”: The Spectropoetics of Early Modern English Balladry'
Lindsay Ann Reid (2017) 'To the Tune of “Queen Dido”: The Spectropoetics of Early Modern English Balladry' In: Singing Death: Reflections on Music and Mortality. London: Routledge. [DOI] [ARAN Link] [Details]
(2014) 'Monstrosity, Monument and Multiplication: “The Lamenting Lady” Margaret of Henneberg (and Her 365 Children) in Early Modern England'
Lindsay Ann Reid (2014) 'Monstrosity, Monument and Multiplication: “The Lamenting Lady” Margaret of Henneberg (and Her 365 Children) in Early Modern England' In: Unnatural Reproductions and Monstrosity: The Birth of the Monster in Literature, Film, and Media. London: Cambria. [ARAN Link] [Details]

Encyclopedia Entry

  Year Publication
(2020) [forthcoming] Anchises entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Anchises entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2020) [forthcoming] Athamante (Athamas) entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Athamante (Athamas) entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2020) [forthcoming] Biblis entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Biblis entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2020) [forthcoming] Danao (Danaus) entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Danao (Danaus) entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2020) [forthcoming] Dane (Daphne) entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Dane (Daphne) entry in The Chaucer Encyclopedia. Encyclopedia Entry [Details]
(2020) [forthcoming] Demophon, Demophoun entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Demophon, Demophoun entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2020) [forthcoming] Polite(s) entry in The Chaucer Encyclopedia.
Lindsay Ann Reid (2020) [forthcoming] Polite(s) entry in The Chaucer Encyclopedia. Wiley-Blackwell: Encyclopedia Entry [Details]
(2017) The Passionate Pilgrim [chapter-length] article in The Definitive Shakespeare Companion: Overview, Documents, and Analysis.
Peter Kanelos and Lindsay Ann Reid (2017) The Passionate Pilgrim [chapter-length] article in The Definitive Shakespeare Companion: Overview, Documents, and Analysis. ABC-CLIO: Encyclopedia Entry [Details]

Book Review

  Year Publication
(2020) [forthcoming] Review of Travel and Travail, eds. Patricia Akhimie and Bernadette Andrea for Sixteenth Century Journal.
Lindsay Ann Reid (2020) [forthcoming] Review of Travel and Travail, eds. Patricia Akhimie and Bernadette Andrea for Sixteenth Century Journal. Book Review [Details]
(2019) [forthcoming] Review of Spenser’s Narrative Figuration of Women in “The Faerie Queene” by Judith H. Anderson for Sixteenth Century Journal.
Lindsay Ann Reid (2019) [forthcoming] Review of Spenser’s Narrative Figuration of Women in “The Faerie Queene” by Judith H. Anderson for Sixteenth Century Journal. Book Review [Details]
(2018) Review of Word of Mouth: Fama and Its Personifications in Art and Literature from Ancient Rome to the Middle Ages by Gianni Guastella for The Journal of Roman Studies.
Lindsay Ann Reid (2018) Review of Word of Mouth: Fama and Its Personifications in Art and Literature from Ancient Rome to the Middle Ages by Gianni Guastella for The Journal of Roman Studies. Book Review [DOI] [Details]
(2018) Review of Agency and Intention in English Print, 1476-1526 by Kathleen Tonry for Renaissance Quarterly.
Lindsay Ann Reid (2018) Review of Agency and Intention in English Print, 1476-1526 by Kathleen Tonry for Renaissance Quarterly. Book Review [DOI] [Details]
(2016) Review of The Impotency Poem from Ancient Latin to Restoration English Literature by Hannah Lavery for The Spenser Review.
Lindsay Ann Reid (2016) Review of The Impotency Poem from Ancient Latin to Restoration English Literature by Hannah Lavery for The Spenser Review. Book Review [Details]
(2015) Review of The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England by Daniel D. Moss for Sixteenth Century Journal.
Lindsay Ann Reid (2015) Review of The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England by Daniel D. Moss for Sixteenth Century Journal. Book Review [Details]
(2015) Review of Women in Shakespeare: A Dictionary by Alison Findlay for Australasian Drama Studies.
Lindsay Ann Reid (2015) Review of Women in Shakespeare: A Dictionary by Alison Findlay for Australasian Drama Studies. Book Review [Details]
(2015) Review of Love in Print in the Sixteenth Century: The Popularization of Romance by Ian Frederick Moulton for Sixteenth Century Journal.
Lindsay Ann Reid (2015) Review of Love in Print in the Sixteenth Century: The Popularization of Romance by Ian Frederick Moulton for Sixteenth Century Journal. Book Review [Details]
(2010) Review of Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe, eds. Alison Keith and Stephen Rupp for University of Toronto Quarterly.
Lindsay Ann Reid (2010) Review of Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe, eds. Alison Keith and Stephen Rupp for University of Toronto Quarterly. Book Review [DOI] [Details]

Artwork

  Year Publication
(2014) ‘Neuer before Imprinted’ (in Out of Sequence: The Sonnets Remixed).
Lindsay Ann Reid (2014) ‘Neuer before Imprinted’ (in Out of Sequence: The Sonnets Remixed). Artwork [Details]

Blog

  Year Publication
(2018) OUP Blog: 'Imagining Lost Books in the Age of Cambridge Analytica'.
Lindsay Ann Reid (2018) OUP Blog: 'Imagining Lost Books in the Age of Cambridge Analytica'. Blog [Details]

Conference Contributions

  Year Publication
(2019) Early Modern Songscapes,
Lindsay Ann Reid (2019) '‘“Raging Love” and its Resonances in Isabella Whitney’s Copy of a Letter'. [Conference Paper], Early Modern Songscapes, Toronto , 08-FEB-19 - 09-FEB-19. [Details]
(2018) Society for Renaissance Studies Biennial Conference,
Lindsay Ann Reid (2018) 'Sly’s Medieval Dream Vision: Chaucerian ‘Ovidianism in The Taming of the Shrew'. [Conference Paper], Society for Renaissance Studies Biennial Conference, Sheffield , 03-JUL-18 - 05-JUL-18. [Details]
(2018) Renaissance Society of America Annual Meeting,
Lindsay Ann Reid (2018) 'The Early Modern Querelle des Femmes and the Judgement of Solomon in Greenes Vision'. [Conference Paper], Renaissance Society of America Annual Meeting, New Orleans , 22-MAR-18 - 24-MAR-18. [Details]
(2017) Ovid Across Europe,
Lindsay Ann Reid (2017) 'Setting Ovid ’s Perpetuum Carmen to New Tunes'. [Conference Paper], Ovid Across Europe, Bristol , 28-SEP-17 - 29-SEP-17. [Details]
(2017) Literary Windows: Imitative Series and Clusters in Literature,
Lindsay Ann Reid (2017) 'What’s in a Blush?: Elizabethan Constellations of Aeneid 12.64-69 and Amores 2.5.34-40'. [Conference Paper], Literary Windows: Imitative Series and Clusters in Literature, Oxford , 25-SEP-17 - 26-SEP-17. [Details]
(2017) The International Crime Genre Research Group's 'Networks and Connections in the Crime Genre' Conference,
Lindsay Ann Reid (2017) 'Resurrecting Love’s Labours Won and Cardenio in Recent Fiction'. [Conference Paper], The International Crime Genre Research Group's 'Networks and Connections in the Crime Genre' Conference, NUI Galway , 26-MAY-17 - 27-MAY-17. [Details]
(2017) Other Codes / Cóid Eile: Digital Literature in Context,
Kelly, David; Reid, Lindsay Ann; Tonra, Justin (2017) 'Patterns of Character and Structure in Shakespeare: Exploring Approaches to Data Visualisation'. [Conference Paper], Other Codes / Cóid Eile: Digital Literature in Context, Galway , 11-MAY-17 - 12-MAY-17. [Details]
(2017) Reception, Reputation and Circulation in the Early Modern World, 1500-1800,
Lindsay Ann Reid (2017) 'The Fair Maid of Dunsmore'. [Conference Paper], Reception, Reputation and Circulation in the Early Modern World, 1500-1800, Galway , 22-MAR-17 - 25-MAR-17. [Details]
(2016) European Society for the Study of English (ESSE) Conference,
Lindsay Ann Reid (2016) ‘Chaucer’s Ghoast: “Ovidian” Tales and Vernacular Spectres in Early Modern Literature’. [Conference Paper], European Society for the Study of English (ESSE) Conference, Galway , 22-AUG-16 - 26-AUG-16. [Details]
(2016) Epistolary Cultures: Letters and Letter-Writing in Early Modern Europe,
Lindsay Ann Reid (2016) 'Turberville's Tymetes and Pyndara'. [Conference Paper], Epistolary Cultures: Letters and Letter-Writing in Early Modern Europe, York , 18-MAR-16 - 19-MAR-16. [Details]
(2015) Moments of Becoming: Transitions and Transformations in Early Modern Europe,
Lindsay Ann Reid (2015) ‘Lyly, Ovid, and the Un-Metamorphoses of Love’s Metamorphosis’. [Conference Paper], Moments of Becoming: Transitions and Transformations in Early Modern Europe, University of Limerick , 20-NOV-15 - 21-NOV-15. [Details]
(2015) International Spenser Society Conference,
Lindsay Ann Reid (2015) ‘Oenone, Harpalus, and Colin: Pastoral Contaminatio in The Araygnement of Paris and Englands Helicon’. [Conference Paper], International Spenser Society Conference, Dublin , 18-JUN-15 - 20-JUN-15. [Details]
(2015) Renaissance Society of America Annual Meeting,
Lindsay Ann Reid (2015) 'Miscellaneous Lyrics and Implicit Aetiologies: Tottel's Surrey and the Tudor Reception of Ovid'. [Conference Paper], Renaissance Society of America Annual Meeting, Berlin , 26-MAR-15 - 28-MAR-15. [Details]
(2014) Swiss Association of Medieval and Early Modern English Studies Conference,
Lindsay Ann Reid (2014) ‘Conning Lines and ‘Cunning Art’: The Mechanics of English Eloquence in The Fair Maid of the Exchange’. [Conference Paper], Swiss Association of Medieval and Early Modern English Studies Conference, Fribourg , 12-SEP-14 - 13-SEP-14. [Details]
(2014) Shakespeare 450,
Lindsay Ann Reid (2014) ‘“This Fierce Abridgement”: Thanhouser’s Two-Reel Cymbeline (1913) and the Question of Genre’. [Conference Paper], Shakespeare 450, Paris , 21-APR-14 - 27-APR-14. [Details]
(2012) Shakespeare Association of America Annual Meeting,
Lindsay Ann Reid (2012) ‘“Ariadne Passioning” in The Two Gentlemen of Verona’. [Conference Paper], Shakespeare Association of America Annual Meeting, Boston , 05-APR-12 - 08-APR-12. [Details]
(2011) IDEA Conference,
Lindsay Ann Reid (2011) ‘Classical Helens, Medieval Iseults, and Shakespeare’s “Double Cherry” in A Midsummer Night’s Dream’. [Conference Paper], IDEA Conference, Istanbul , 13-APR-11 - 15-APR-11. [Details]
(2011) Modern Language Association Annual Meeting,
Lindsay Ann Reid (2011) ‘Reading Lyric for the Narrative: Tudor “Autobiographies” of Ovid’. [Conference Paper], Modern Language Association Annual Meeting, Los Angeles , 06-JAN-11 - 09-JAN-11. [Details]
(2010) Shakespeare Association of America Annual Meeting,
Lindsay Ann Reid (2010) ‘Looking for Gower’s Narcissus in Shakespeare’s Twelfth Night’. [Conference Paper], Shakespeare Association of America Annual Meeting, Chicago , 01-APR-10 - 04-APR-10. [Details]
(2009) Renaissance Society of America Annual Meeting,
Lindsay Ann Reid (2009) ‘Gossip in Print: Wynkyn de Worde’s 1517 Troilus and Criseyde’. [Conference Paper], Renaissance Society of America Annual Meeting, Los Angeles , 19-MAR-09 - 21-MAR-09. [Details]
(2008) Shakespeare Association of America Annual Meeting,
Lindsay Ann Reid (2008) 'Betweene Venus and Adonis”: The Passionate Pilgrim and the Poetics of Exchange’. [Conference Paper], Shakespeare Association of America Annual Meeting, Dallas , 13-MAR-08 - 15-MAR-08. [Details]
(2008) Renaissance Society of America Annual Meeting,
Lindsay Ann Reid (2008) ‘More, Lucretius, and the Iconography of Civilization’. [Conference Paper], Renaissance Society of America Annual Meeting, Chicago , 03-APR-08 - 05-APR-08. [Details]
(2007) Toronto Centre for the Book’s ‘Popularity and the Book’ Colloquium,
Lindsay Ann Reid (2007) ‘Permeable Heroines: Ovidian Characters, Popularity, and Genre in the Sixteenth Century’. [Conference Paper], Toronto Centre for the Book’s ‘Popularity and the Book’ Colloquium, Toronto , 22-MAR-07 - 22-MAR-07. [Details]
(2006) International Spenser Society Conference,
Lindsay Ann Reid (2006) ‘Busirane’s Caelestia Crimina: The Contest of Ovidian Interpretation in The Faerie Queene III’. [Conference Paper], International Spenser Society Conference, Toronto , 18-MAY-06 - 21-MAY-06. [Details]

Education

  Year Institution Qualification Subject
2016 National University of Ireland, Galway Postgraduate Certificate in Higher Education Teaching Teaching and Learning
2009 University of Toronto DOCTORAL DEGREE (LEVEL 10) English and the Collaborative Program in Book History and Print Culture
2004 University of Toronto MASTERS DEGREE (LEVEL 9) Comparative Literature
2003 University of King's College HONOURS BACHELOR DEGREE (LEVEL 8) Classics and Early Modern Studies

Employment

  Employer Position From / To
National University of Ireland, Galway Lecturer in English 01-SEP-13 /

Honours and Awards

  Year Title Awarding Body
2018 Athena Swan Midcareer Lecturer Research Capacity Building Grant College of Arts, NUI Galway
2017 Warburg Library Travel Grant Warburg Institute, University of London
2016 IRC New Foundations Grant Irish Research Council
2016 RIA Charlemont Grant Royal Irish Academy
2015 EXPLORE Staff/Student Partnership Grant NUI Galway
2010 A.S.P. Woodhouse Prize University of Toronto

Community Engagement

  Title Type From / To
Other Subject Advisor (English) for the Irish Teaching Council 01-JAN-17 /
Other Judge (Literature Panel) for The Undergraduate Awards 01-JUN-18 /

Modules Taught

  Term/Year Module Title Module Code Subject / Desc
semesters 1 and 2, 2019-2020 Allusion, Adaptation and Appropriation EN3101/3102 (undergraduate)
semesters 1 and 2, 2019-2020 Murder, Intrigue, and Early Modern True Crime EN 3121/3122 (undergraduate)
semester 2, 2019-2020 Stage and Page: The Early Modern Imagination EN3123 (undergraduate)
semester 1, 2019-2020 Representations of the Book in Literature and Film EN6103 (postgraduate)
semesters 1 and 2, 2019-2020 Literature and Publishing: Perspectives and Professionalisation ENXXX (postgraduate)